As a new type of vehicle, the mobile stage car not only caused the audience to stop watching, but also won applause and had broad prospects for development.

The above picture shows a common mobile stage car. Presumably, students and friends are not unfamiliar with the stage car. You can see it working silently during the freshman welcome party, graduates evening and other occasions, and you may not only look at it. When I was there, I still stood and sang and danced! It not only facilitates the performance of the show, but also can be used as a stage for a wide range of occasions such as large-scale performances and cultural evenings.

The mobile stage car has good characteristics, and therefore the performance of the show business favors. First of all, it has a professional design, to maximize the stage platform and stage extension of the net height, with a strong roof bearing capacity, pre-set the lighthouse and the set of boom, scientific adaptation to the characteristics of the stage performance. Secondly, it has a strong safety and stability performance. The carriage and stage surface are stable and flat, with a professional field wind resistance design. The stage body is very strong and has a strong security. There is no need to worry about accidents such as body collapse during the performance. Third, it is flexible and time-saving. It does not need to spend time and energy to build the stage building links. At the same time, it is very flexible and can be performed in almost any place. In the end, it has a very good durability. The entire vehicle and a full set of mechanical operating agencies are designed and manufactured according to professional standards. No matter if it is windy or rainy, it will not be a problem for a long time.

The mobile stage car should not only be active on campus and on the streets of the city, but also should enter the countryside to enrich the cultural and recreational life of grassroots people, provide mobile cultural services for the masses, coordinate the balanced development of public cultural services, and promote the equalization of basic public cultural services between urban and rural areas. The opening of the "last mile" of public cultural services has enabled theatrical performances to be more grounded, with dewdrops, and close to the people's lives. At the same time, it also inspires the cultural enthusiasm of rural cultural workers to create enthusiasm for the people's lives.

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